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Wilhelm von Kobell Riders on Lake Tegernsee 1824
Oskar Reinhart Foundation, Winterthur
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Wilhelm von Kobell Riders on Lake Tegernsee II 1825
Oskar Reinhart Foundation, Winterthur
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Wilhelm von Kobell Hunting Party on Lake Tegernsee 1824
Oskar Reinhart Foundation, Winterthur
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Wilhelm von Kobell The Siege of Kosel sn02
1808
Oil on canvas
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Wilhelm von Kobell Riders at the Tegernsee mk138
1832
Oil on wood
27x25cm
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Wilhelm von Kobell View of Lake Tegern 1833
Oil on canvas,
38 x 33 cm
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Wilhelm von Kobell Gentleman on Horseback and Country Girl on the Banks of the Isar near Munich 1831
Watercolour,
237 x 306 mm
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Wilhelm von Kobell The Siege of Cosel 1808
Oil on canvas,
202 x 305 cm
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Wilhelm von Kobell Jager zu Pferd in oberbayerischer Landschaft 1822(1822)
Oil on canvas
40 x 52 cm
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Wilhelm von Kobell Jager auf der Hochalm 1828(1828)
Oil on canvas
38.4 X 33.2 cm (15.12 X 13.07 in)
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Wilhelm von Kobell Jager zu Pferd in oberbayerischer Landschaft Date 1822(1822)
Medium Oil on canvas
Dimensions Deutsch: 40 X 52 cm
cyf
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Wilhelm von Kobell Jager auf der Hochalm Date 1828(1828)
Medium Oil on canvas
Dimensions 38.4 X 33.2 cm (15.12 X 13.07 in)
cyf
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Wilhelm von Kobell Austrian cuirassiers fighting French hussars Description KobellReitergefecht.jpg
Austrian cuirassiers fighting French hussars
Date 1805(1805)
Source Reiss-Museum Mannheim (WVN 848)
cyf
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Wilhelm von Kobell Belagerung von Kosel 1808(1808)
Medium Oil on canvas
Dimensions Deutsch: 207 x 302 cm
cjr
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Wilhelm von Kobell Self-portrait circa 1800(1800)
Medium oil on canvas
Dimensions 45.5 x 39.3 cm (17.9 x 15.5 in)
cjr
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Wilhelm von Kobell
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1766-1853
German
Wilhelm von Kobell Gallery
Kobell was born in Mannheim, the son of Ferdinand Kobell, a landscape painter who cited Claude Lorrain as his influence. Wilhelm's initial lessons were supplied by his father and his uncle, Franz Kobell. He received further training under Franz Anton, von Leydendorf and Egid Verhelst in the art of engraving at the Zeichnungsakademie in Mannheim. During this time he practiced various styles, including 17th-century Dutch painting and 18th-century English art. He was supported by Charles Theodore who compensated him an annual sum of 500 florins from 1792 until Theodore's death in 1799. Throughout his life Kobell traveled to England, France and Italy but ultimately based his style on Dutch art.
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